Spellcraft And EarthMagick

Stonehenge



About Stonehenge



Key to plan -

1 = The Altar Stone, a six ton monolith of green micaceous sandstone from Wales
2 = barrow without a burial
3 = "barrows" (without burials)
4 = the fallen Slaughter Stone, 4.9 metres long
5 = the Heel Stone
6 = two of originally four Station Stones
7 = ditch
8 = inner bank
9 = outer bank
10 = The Avenue, a parallel pair of ditches and banks leading 3 km to the River Avon
11 = ring of 30 pits called the Y Holes
12 = ring of 30 pits called the Z Holes
13 = circle of 56 pits, known as the Aubrey holes
14 = smaller southern entrance

The site as of AD 2004. The plan omits the trilithon lintels for clarity. Holes that no longer, or never, contained stones are shown as open circles and stones visible today are shown coloured, grey for sarsen and blue for the imported stone, mainly bluestone.

Stage 1



The plan shows the first of the three Stonehenge construction phases archaeologists thinks took place.

History of Stonehenge

The Stonehenge complex was built in several construction phases spanning at least 3000 years, although there is evidence for activity both before and afterwards on the site, perhaps extending its time frame to 6500 years.

Dating and understanding the various phases of activity at Stonehenge is not a simple task; it is complicated by poorly kept early excavation records, surprisingly few accurate scientific dates and the disturbance of the natural chalk by periglacial effects and animal burrowing. The modern phasing most generally agreed by archaeologists is detailed below. Features mentioned in the text are numbered and shown on the plan, right, which illustrates the site as of 2004. The plan omits the trilithon lintels for clarity. Holes that no longer, or never, contained stones are shown as open circles and stones visible today are shown coloured.

Before the monument (8000 BC forward)

Some archaeologists have found four (or possibly five, although one may have been a natural tree throw) large Mesolithic postholes which date to around 8000 BC nearby, beneath the modern tourist car-park. These held pine posts around 0.75 m (2.4ft) in diameter which were erected and left to rot in situ. Three of the posts (and possibly four) were in an east-west alignment and may have had ritual significance; no parallels are known from Britain at the time but similar sites have been found in Scandinavia. At this time, Salisbury Plain was still wooded but four thousand years later, during the earlier Neolithic, a cursus monument was built 600 m north of the site as the first farmers began to clear the forest and exploit the area. Several other early Neolithic sites, a causewayed enclosure at Robin Hood's Ball and long barrow tombs were built in the surrounding landscape.

Stonehenge 1 (ca. 3100 BC)


The first monument consisted of a circular bank and ditch enclosure made of Late Cretaceous (Santonian Age) Seaford Chalk, (7 and 8) measuring around 110 m (360 feet) in diameter with a large entrance to the north east and a smaller one to the south (14). It stood in open grassland on a slightly sloping but not especially remarkable spot. The builders placed the bones of deer and oxen in the bottom of the ditch as well as some worked flint tools. The bones were considerably older than the antler picks used to dig the ditch and the people who buried them had looked after them for some time prior to burial. The ditch itself was continuous but had been dug in sections, like the ditches of the earlier causewayed enclosures in the area. The chalk dug from the ditch was piled up to form the bank. This first stage is dated to around 3100 BC after which the ditch began to silt up naturally and was not cleared out by the builders. Within the outer edge of the enclosed area was dug a circle of 56 pits, each around 1 m in diameter (13), known as the Aubrey holes after John Aubrey, the seventeenth century antiquarian who was thought to have first identified them. The pits may have contained standing timbers, creating a timber circle although there is no excavated evidence of them. A small outer bank beyond the ditch could also date to this period.

Stonehenge 2 (ca. 3000 BC)

Evidence of the second phase is no longer visible. It appears from the number of postholes dating to this period that some form of timber structure was built within the enclosure during the early 3rd millennium BC. Further standing timbers were placed at the northeast entrance and a parallel alignment of posts ran inwards from the southern entrance. The postholes are smaller than the Aubrey Holes, being only around 0.4 m in diameter and are much less regularly spaced. The bank was purposely reduced in height and the ditch continued to silt up. At least twenty-five of the Aubrey Holes are known to have contained later, intrusive, cremation burials dating to the two centuries after the monument's inception. It seems that whatever the holes' initial function, it changed to become a funerary one during Phase 2. Thirty further cremations were placed in the enclosure's ditch and at other points within the monument, mostly in the eastern half. Stonehenge is therefore interpreted as functioning as an enclosed cremation cemetery at this time, the earliest known cremation cemetery in the British Isles. Fragments of unburnt human bone have also been found in the ditch fill. Late Neolithic grooved ware pottery has been found in connection with the features from this phase providing dating evidence.

Stonehenge 3 I (ca. 2600 BC)

Archaeological excavation has indicated that around 2600 BC, timber was abandoned in favour of stone and two concentric crescents of holes (called the Q and R Holes) were dug in the centre of the site. Again, there is little firm dating evidence for this phase. The holes held up to 80 standing stones (shown blue on the plan) 43 of which, the bluestones (dolerite, a holocrystine igneous rock), were thought for much of the 20th century to have been transported by humans from the Preseli Hills, 250 km away in modern day Pembrokeshire in Wales. A current (2007) theory is that they were brought from glacial deposits much nearer the site, which had been carried down from the northern side of the Preselis to southern England by the Irish Sea Glacier.[1] Other standing stones may well have been small sarsens, used later as lintels. The stones, which weighed about four tons, consisted mostly of spotted Ordovician dolerite but included examples of rhyolite, tuff and volcanic and calcareous ash. Each measures around 2 m in height, between 1 m and 1.5 m wide and around 0.8 m thick. What was to become known as the Altar Stone (1), a six-ton specimen of green micaceous Silurian-Devonian sandstone, twice the height of the bluestones, is derived from either South Pembrokeshire or the Brecon Beacons and may have stood as a single large monolith.

The north eastern entrance was also widened at this time with the result that it precisely matched the direction of the midsummer sunrise and midwinter sunset of the period. This phase of the monument was abandoned unfinished however, the small standing stones were apparently removed and the Q and R holes purposefully backfilled. Even so, the monument appears to have eclipsed the site at Avebury in importance towards the end of this phase and the Amesbury Archer, found in 2002 three miles (5 km) to the south, would have seen the site in this state.

The Heelstone (5), a Tertiary sandstone, may also have been erected outside the north eastern entrance during this period although it cannot be securely dated and may have been installed at any time in phase 3. At first, a second stone, now no longer visible, joined it. Two, or possibly three, large portal stones were set up just inside the north eastern entrance of which only one, the fallen Slaughter Stone (4), 16 ft (4.9 m) long, now remains. Other features loosely dated to phase 3 include the four Station Stones (6), two of which stood atop mounds (2 and 3). The mounds are known as 'barrows' although they do not contain burials. The Avenue, (10), a parallel pair of ditches and banks leading 3 km to the River Avon was also added. Two ditches similar to Heelstone Ditch circling the Heelstone, which was by then reduced to a single monolith, were later dug around the Station Stones.

Stonehenge 3 II (2450 BC to 2100 BC)

The next major phase of activity at the tail end of the 3rd millennium BC saw 30 enormous Oligocene-Miocene sarsen stones (shown grey on the plan) brought from a quarry around 24 miles (40 km) north of Stonehenge, on the Marlborough Downs. The stones were dressed and fashioned with mortise and tenon joints before 30 were erected as a 33 m (108 ft) diameter circle of standing stones with a 'lintel' of 30 stones resting on top. The lintels were joined to one another using another woodworking method, the tongue in groove joint. Each standing stone was around 4.1 m (13.5 feet) high, 2.1 m (7.5 feet) wide and weighed around 25 tons. Each had clearly been worked with the final effect in mind; the orthostats widen slightly towards the top in order that their perspective remains constant as they rise up from the ground while the lintel stones curve slightly to continue the circular appearance of the earlier monument. The sides of the stones that face inwards are smoother and more finely worked than the sides that face outwards. The average thickness of these stones is 1.1 m (3.75 feet) and the average distance between them is 1 m (3.5 feet). A total of 74 stones would have been needed to complete the circle and unless some of the sarsens were removed from the site, it would seem that the ring was left incomplete. Of the lintel stones, they are each around 3.2 m long (10.5 feet), 1 m (3.5 feet) wide and 0.8 m (2.75 feet) thick. The tops of the lintels are 4.9 m (16 feet) above the ground.

Within this circle stood five trilithons of dressed sarsen stone arranged in a horseshoe shape 13.7 m (45 feet) across with its open end facing north east. These huge stones, ten uprights and five lintels, weigh up to 50 tons each and were again linked using complex jointings. They are arranged symmetrically; the smallest pair of trilithons were around 6 m (20 feet) tall, the next pair a little higher and the largest, single trilithon in the south west corner would have been 7.3 m (24 feet) tall. Only one upright from the Great Trilithon still stands; 6.7 m (22 ft) is visible and a further 2.4 m (8 feet) is below ground.

The images of a 'dagger' and 14 'axe-heads' have been recorded carved on one of the sarsens, known as stone 53. Further axe-head carvings have been seen on the outer faces of stones known as numbers 3, 4, and 5. They are difficult to date but are morphologically similar to later Bronze Age weapons; recent laser scanning work on the carvings supports this interpretation. The pair of trilithons in north east are smallest, measuring around 6 m (20 feet) in height and the largest is the trilithon in the south west of the horseshoe is almost 7.5 m (24 feet) tall.

This ambitious phase is radiocarbon dated to between 2440 and 2100 BC.

Stonehenge 3 III

Later in the Bronze Age, the bluestones appear to have been re-erected for the first time, although the exact details of this period are still unclear. They were placed within the outer sarsen circle and at this time may have been trimmed in some way. A few have timber working-style cuts in them like the sarsens themselves, suggesting they may have been linked with lintels and part of a larger structure during this phase.

Stonehenge 3 IV (2280 BC to 1930 BC)

This phase saw further rearrangement of the bluestones as they were placed in a circle between the two settings of sarsens and in an oval in the very centre. Some archaeologists argue that some of the bluestones in this period were part of a second group brought from Wales. All the stones were well-spaced uprights without any of the linking lintels inferred in Stonehenge 3 III. The Altar Stone may have been moved within the oval and stood vertically. Although this would seem the most impressive phase of work, Stonehenge 3 IV was rather shabbily built compared to its immediate predecessors, the newly re-installed bluestones were not at all well founded and began to fall over. However, only minor changes were made after this phase. Stonehenge 3 IV dates from 2280 to 1930 BC.

Stonehenge 3 V (2280 BC to 1930 BC)

Soon afterwards, the north eastern section of the Phase 3 IV Bluestone circle was removed, creating a horseshoe-shaped setting termed the Bluestone Horseshoe. This mirrored the shape of the central sarsen Trilithons and dates from 2270 to 1930 BC. This phase is contemporary with the famous Seahenge site in Norfolk.

After the monument (1600 BC on)

Even though the last known construction of Stonehenge was about 1600 BC, and the last known usage of it was during the Iron Age (if not as late as the 7th century), where Roman coins, prehistoric pottery, an unusual bone point and a skeleton of a young male (780-410 cal BC) were found, we have no idea if Stonehenge was in continuous use or exactly how it was used. Notable is the late 7th-6th century BC large arcing Scroll Trench which deepens E-NE towards Heelstone, and the burial of a decapitated Saxon man excavated from Stonehenge dated to the 7th century. The site was known by scholars during the Middle Ages and since then it has been studied and adopted by numerous different groups

Recent history

By the beginning of the 20th century a number of the stones had fallen or were leaning precariously, probably due to the increase in curious visitors clambering on them during the nineteenth century. Three phases of conservation work were undertaken which righted some unstable or fallen stones and carefully replaced them in their original positions using information from antiquarian drawings[citation needed].

In 1915 Cecil Chubb bought Stonehenge, through Knight Frank & Rutley estate agents, for £6,000 as a present for his wife. He gave it to the nation three years later. The item was listed in the catalogue as "Lot 15. Stonehenge with about 30 acres, 2 ro[o]ds, 37 perches of adjoining downland."

Stonehenge is a place of pilgrimage for neo-druids and those following pagan or neo-pagan beliefs. The midsummer sunrise began attracting modern visitors in the 1870s, with the first record of recreated Druidic practices dating to 1905 when the Ancient Order of Druids enacted a ceremony. Despite efforts by archaeologists and historians to stress the differences between the Iron Age Druidic religion and the much older monument, Stonehenge has become increasingly, almost inextricably, associated with British Druidism, Neo Paganism and New Age philosophy. After the Battle of the Beanfield in 1985 this use of the site was stopped for several years, and currently ritual use of Stonehenge is carefully controlled.

In more recent years, the setting of the monument has been affected by the proximity of the A303 road between Amesbury and Winterbourne Stoke, and the A344. Early in 2003, the Department for Transport announced that the A303 would be upgraded, including the construction of the Stonehenge road tunnel. On 06 December 2007 it was announced that the plans had been cancelled.

Arthurian legend

Stonehenge is also mentioned within Arthurian legend. Geoffrey of Monmouth said that Merlin the wizard directed its removal from Ireland, where it had been constructed on Mount Killaraus by Giants, who brought the stones from Africa. After it had been rebuilt near Amesbury, Geoffrey further narrates how first Ambrosius Aurelianus, then Uther Pendragon, and finally Constantine III, were buried inside the ring of stones. In many places in his Historia Regum Britanniae Geoffrey mixes British legend and his own imagination; it is intriguing that he connects Ambrosius Aurelianus with this prehistoric monument, seeing how there is place-name evidence to connect Ambrosius with nearby Amesbury.

According to Geoffrey of Monmouth, the rocks of Stonehenge were healing rocks which Giants brought from Africa to Ireland for their healing properties. These rocks were called The Giant's Dance. Aurelius Ambrosias (5th Century), wishing to erect a memorial to the nobles (3000) who had died in battle with the Saxons and were buried at Salisbury, chose (at Merlin's advice) Stonehenge to be their monument. So the King sent Merlin, Uther Pendragon (Arthur's father), and 15,000 knights to Ireland to retrieve the rocks. They slew 7,000 Irish. As the knights tried to move the rocks with ropes and force, they failed. Then Merlin, using "gear" and skill, easily dismantled the stones and sent them over to Britain, where Stonehenge was dedicated. Shortly after, Aurelius died and was buried within the Stonehenge monument, or "The Giants' Ring of Stonehenge".

Folklore

“Friar’s Heel” or the “Sunday Stone”

The Heel Stone was once known as “Friar’s Heel”. A folk tale, which cannot be dated earlier than the seventeenth century, relates the origin of the name of this stone:

The Devil bought the stones from a woman in Ireland, wrapped them up, and brought them to Salisbury plain. One of the stones fell into the Avon, the rest were carried to the plain. The Devil then cried out, “No-one will ever find out how these stones came here!” A friar replied, “That’s what you think!,” whereupon the Devil threw one of the stones at him and struck him on the heel. The stone stuck in the ground and is still there.

Some claim “Friar’s Heel” is a corruption of “Freyja’s He-ol” or “Freyja Sul”, from the Nordic goddess Freyja and (allegedly) the Welsh words for “way” and “Friday” respectively.

Construction techniques and design

Much speculation has surrounded the engineering feats required to build Stonehenge. Assuming the bluestones were brought from Wales by hand, and not transported by glaciers as Aubrey Burl has claimed, various methods of moving them relying only on timber and rope have been suggested. In a 2001 exercise in experimental archaeology, an attempt was made to transport a large stone along a land and sea route from Wales to Stonehenge. Volunteers pulled it for some miles (with great difficulty) on a wooden sledge over land, using modern roads and low-friction netting to assist sliding, but once transferred to a replica prehistoric boat, the stone sank in Milford Haven, before it even reached the rough seas of the Bristol Channel.

As far as the stones, it has been suggested that timber A-frames were erected to raise the stones, and that teams of people then hauled them upright using ropes. The topmost stones may have been raised up incrementally on timber platforms and slid into place or pushed up ramps. The carpentry-type joints used on the stones imply a people well skilled in woodworking and they could easily have had the knowledge to erect the monument using such methods. In 2003 retired construction worker Wally Wallington demonstrated ingenious techniques based on fundamental principles of levers, fulcrums and counterweights to show that a single man can rotate, walk, lift and tip a ten-ton cast-concrete monolith into an upright position. He is progressing with his plan to construct a simulated Stonehenge comprising of eight uprights and two lintels.

Alexander Thom was of the opinion that the site was laid out with the necessary precision using his megalithic yard.

The engraved weapons on the sarsens are unique in megalithic art in the British Isles, where more abstract designs were invariably favoured. Similarly, the horseshoe arrangements of stones are unusual in a culture that otherwise arranged stones in circles. The axe motif is, however, common to the peoples of Brittany at the time, and it has been suggested at least two stages of Stonehenge were built under continental influence. This would go some way towards explaining the monument's atypical design, but overall, Stonehenge is still inexplicably unusual in the context of any prehistoric European culture.

Estimates of the manpower needed to build Stonehenge put the total effort involved at millions of hours of work. Stonehenge 1 probably needed around 11,000 man-hours (or 460 man-days) of work, Stonehenge 2 around 360,000 (15,000 man-days or 41 years) and the various parts of Stonehenge 3 may have involved up to 1.75 million hours (73 000 days or 200 years) of work. The working of the stones is estimated to have required around 20 million hours (830 000 days or 2300 years) of work using the primitive tools available at the time. Certainly, the will to produce such a site must have been strong, and it is considered that advanced social organization would have been necessary to build and maintain it. However, Wally Wallington's work suggests that Stonehenge's construction may have required fewer man-hours than previously estimated.

Alternative views

Stonehenge's fame comes not only from its archaeological significance or potential early astronomical role but also in its less tangible effect on visitors, what Christopher Chippindale describes as "the physical sensation of the place", something that transcends the rational, scientific view of the monument. This manifests itself in the spiritual role of the site for many different groups and a belief that no single scientific explanation can do justice to it as a symbol of the great achievement of the ancient Britons and as a symbol of something that continues to confound mainstream archaeology.

Some people claim to have seen UFOs in the area, perhaps connected with the military installations around Warminster, that has led to ideas over it being an extraterrestrial landing site. Alfred Watkins found three ley lines running through the site and others have employed numerology, dowsing or geomancy to reach diverse conclusions regarding the site's power and purpose. New Age and neo-pagan beliefs might see Stonehenge as a sacred place of worship which can conflict with its more mainstream role as an archaeological site, tourist attraction, or marketing tool. Post-processualist archaeologists might consider that treating Stonehenge as a computer or observatory is to apply modern concepts from our own technology-driven era back into the past. Even the role of indigenous peoples in archaeology, rarely applied in Western Europe, has created a new function for the site as a symbol of Welsh nationalism.

The significance of the 'ownership' of Stonehenge in terms of the differing meanings and interpretations held by the many orthodox and unorthodox stakeholders in the site has been increasingly apparent in recent decades. Researchers Jenny Blain and Robert J. Wallis (Sacred Sites, Contested Rites/Rights project ) have pointed to the huge variety of views which show the continued and growing importance of Stonehenge today, as symbol and 'Icon of Britishness'; and indicate also the increased awareness of pasts by many people with no training in archaeology or heritage. For many, Stonehenge and other ancient monuments form part of the 'living landscape' which holds its own stories and which is there to be engaged with as people mark the seasons of the year. Today's mythology around Stonehenge includes the recent history of the Battle of the Beanfield and the previous Free festivals. Stonehenge has not one meaning but many. Today, curators English Heritage facilitate 'managed open access' at solstices and equinoxes, with some disputes over the days on which these fall. Blain and Wallis argue that issues over access relate not only to physical presence at the stones but to interpretations of past and validity of 'new-indigenous' and pagan usages in the present and such 'alternative' views have been central in alerting public awareness to the issues of roads, tunnels and landscape.

Stonehenge as part of a ritual landscape

Many archaeologists believe Stonehenge was an attempt to render in permanent stone the more common timber structures that dotted Salisbury Plain at the time, such as those that stood at Durrington Walls. Modern anthropological evidence has been used by Mike Parker Pearson and the Malagasy archaeologist Ramilisonina to suggest that timber was associated with the living and stone with the ancestral dead amongst prehistoric peoples. They have argued that Stonehenge was the terminus of a long, ritualised funerary procession for treating the dead, which began in the east, during sunrise at Woodhenge and Durrington Walls, moved down the Avon and then along the Avenue reaching Stonehenge in the west at sunset. The journey from wood to stone via water was, they consider, a symbolic journey from life to death. There is no satisfactory evidence to suggest that Stonehenge's astronomical alignments were anything more than symbolic and current interpretations favour a ritual role for the monument that takes into account its numerous burials and its presence within a wider landscape of sacred sites. Many also believe that the site may have had astrological/spiritual significance attached to it.

Support for this view also comes from the historian of religions, Mircea Eliade, who compares the site to other megalithic constructions around the world devoted to the cult of the dead (ancestors). "Like other similar English monuments (For example, Eliade identifies, Woodhenge, Avebury, Arminghall, and Arbor Low) the Stonehenge cromlech was situated in the middle of a field of funeral barrows. This famous ceremonial centre constituted, at least in its primitive form, a sanctuary built to insure relations with the ancestors. In terms of structure, Stonehenge can be compared with certain megalithic complexes developed, in other cultures, from a sacred area: temples or cities. We have the same valourisation of the sacred space as "centre of the world," the privileged place that affords communication with heaven and the underworld, that is, with the gods, the chtonian goddesses, and the spirits of the dead.". In addition to the English sites, Eliade identifies, among others, the megalithic architecture of Malta, which represents a "spectacular expression" of the cult of the dead and worship of a Great Goddess.

Having an unpopular beginning as a New Stone Age or Neolithic Era coalstone exploration failure, Dr. Anthony M. Perks, a retired professor of obstetrics and gynaecology at the University of British Columbia and Darlene Marie Bailey offered "a theory based on the resemblance of the henge to the human vulva, with the birth canal at its centre" - "Because Stonehenge was a place of life and birth, not death, a place that looked towards the future".Dr. Perks and Darlene Bailey's "Earth Mother and Sun Father" theory is commonly referred to as Stonehenge "human vulva" or "birth canal" theory, and a popular success.

Secular calendar theory

Most theories have guessed at a cultic purpose behind the astronomical design of the monument, on the grounds that such a mammoth undertaking must have had an ideological rather than practical basis. They derive from anthropology rather than from cultural and technological history. But Lockyer (Stonehenge Astronomically Considered, 1906) and others have pointed out the practical value of astronomical observation at a time when there was no other way to establish precise calendar dates, whether these were needed for agricultural, social, or seasonal-religious reasons.

The double-level circle and the central stone of the monument define an observational vantage-point from which the precession of constellations could be accurately established. It would have been known from earlier and less massive constructions that these events corresponded precisely with the cycle of seasons, but wooden edifices, earth-mounds and even standing-stone circles would not retain accuracy over any long period. Without at least one authoritative standard, events and seasons had no chronological index, since the exact length of the year (including part-days) was not known, nor would the mathematics have been available to extrapolate from it. There was a good reason for a massive and permanently immobile construction at a flat inland location where all sides of the sky could be equally measured.

The modern view of astronomy as a pure-science, which would seem to be of little practical use to primitive Britons, can make us forget that astronomy was a key factor in the transition from the hunter-gatherer culture to an agricultural one. The motivation for the sort of co-operative effort needed by such a large constructive undertaking can be appreciated in relation to the unique value of accurate dating for the whole region of southern Britain, but our ignorance of the social context of the time makes it difficult to speculate on how it might have been organised.

Since there was a considerable dividend for the whole population, Stonehenge must have been the culmination of lesser regional investments in this kind of technology over a long period. What sort of society might have existed which could draw labour and commitment from a wide geographical area, and over presumably a long period of years while the monument was being erected? All we can say is that the astro-technology involved must have been sufficiently trusted and valued to make this possible.

Why was Stonehenge designed like this?

To make progress it is essential to try to understand what circles, U-shaped settings and trilithons meant symbolically?
The most promising answer to these questions, based on the latest research into ancient peoples and their religions and which accord with all the known facts of science, archaeology and anthropology, are outlined here.

First we emphasise that no complete answer can ever be deduced because the builders, who have been so long dead, left no literature to guide us. Nevertheless because the Stonehenge people worked with symbols and integrated symbolic meanings into the stones, scholars have identified enough meanings, using parallels from early agrarian cultures elsewhere, to reconstruct an outline of the lost mythology. The formulation of these concepts into a coherent and unified theory is due to the physics professor Dr Terence Meaden, an archaeophysicist.

To commence, Stonehenge, Avebury and the other stone monuments of Western Europe were built over 4 millennia ago in an era when Neolithic farmers believed in an Earth Mother and a Sky Father. With this knowledge, scholars in ancient religions, proficient in the interpretation of archaic artforms, see that the ordered stones of Stonehenge could constitute an open-sky temple implicitly dedicated to the worship of the Earth Mother. This is because the monument is heavy with feminine symbolism. Above all, the several concentric circles and the U-settings appear to represent the womb of the Earth Mother while the middle trilithon arch in the outer circle is her vulva (refer to the plan of Stonehenge given on the previous Stonehenge Building web page).
Hence, it seems that a major purpose of the 35 narrow arches (30 in the outer circle, 5 in the inner great trilithons) is to emphasise still more the femininity of the monument; and that as with Hindu temples throughout the world the object of the cult is placed in the womb of the temple at its focal point. At Stonehenge the Cult Stone has been inaptly called (since the 17th century) the Altar Stone. It is the biggest of the Welsh stones and, when freshly scraped and wetted, glistens in the sunshine because of its myriads of mica mirrors.

Next, the axis of the monument is directed at the rising sun on midsummer's day. It is only on midsummer morning that the rising sun penetrates the middle-arch of the womb to illuminate the internal Goddess Stone with its radiant energy. Watchers would see the stone sparkling in the reflected light of the Sky God, serving here in his role of the Sun. This constituted a dramatic spectacle in which the actual Marriage and Consummation of the Gods was witnessed.
Hence the inferred Creation Myth of the Stonehenge and Avebury Peoples is that Earth Mother and Sky Father came together to beget the world, and that the midsummer spectacle was the anniversary and dramatic re-enactment of the primordial event.
In other words, the ongoing fertility myth could be that by their annual mating God and Goddess guaranteed the success, the safety and the fertility of the people's uncertain world which was forever at risk from sterility, weather, disease and wild animals. It may reasonably be conjectured that it was much the same at other stone circles throughout the British Isles---wherein the simple circle is also a womb or genital shrine to the Earth Mother---but that Stonehenge and Avebury in England, Maeshowe in Scotland, and Newgrange and Knowth in Ireland were the pinnnacles of the builders' achievements in expressing in stone and light the concept of the Marriage of the Gods, a belief that was certainly widespread throughout the Ancient World in one form or another (for two examples refer to the bottom of this page).
The visitor should also note that at Stonehenge shortly after sunrise a second effect took place --- in fact, it still does. The phallic shadow cast by the Heel Stone (a stone which is arguably the Sky Father's lithic personification on earth) also enters the vulvar arch to encounter the female cult object --- the Womb Stone or Cult Stone. Hundreds of believers waiting on the encircling bank could see this spectacle happen to their entire satisfaction.